So, while Cindy Crawford and other big names with facial molesare often credited with having iconic beauty marks, celebs with body moles aren't given quite the same label. Still, our work isn't quite done yet. In spite of this, she was warmly remembered by the public. She preferred to drink hot chocolate, buying 60 They write new content and verify and edit content received from contributors. For Rowland, it all began with putting a dot of black Duo lash glue on her face. I'll Be Your Sweetheart (1945) was a musical with Guest and Vic Oliver. [citation needed] She was a guest on the BBC radio show Desert Island Discs on 25 April 1951.[53]. However, her best-remembered performances came in two classic Gainsborough period dramas. "[14], She was offered the role of Bianca in The Magic Bow but disliked the part and turned it down. "[22], In September 1943 Variety estimated her salary at being US$24,000 per picture (equivalent to $305,000 in 2021).[23]. "I like moles. Lockwoods lips and upper chin tense Joan Crawford-style when her more heinous characters covers are blown, but not at the cost of audience empathy. In 1938, Lockwoods role as a young London nurse in Carol Reeds film, Bank Holiday, established her as a star, and the enormous success of her next film, Alfred Hitchcocks taut thriller The Lady Vanishes, opposite Michael Redgrave, gave her international status. In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. When asked about this, he referred to the foul grimace her character Julia Stanford readily expressed in the TV play Justice Is a Woman. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . Her mother was Margaret Lockwood, raven-haired lead in the Gainsborough studio's period melodramas of the 1940s, including The Wicked Lady. Who knew the social science behind moles could be so complicated? For Black and director Robert Stevenson she supported Will Fyffe in Owd Bob (1938), opposite John Loder. The Leons separated soon after her birth and were divorced in 1950. We provide you with all the necessary resources to help you achieve your income goals! ]died July 15, 1990, London, Eng. The property has now been converted to flats. The title of The Lady Vanishes is thought to refer to the kidnapped British spy Miss Froy (May Whitty), but it is the prim lady in Lockwoods Iris Henderson that vanishes under the influence ofMichael Redgraves charming musicologist with his battery of phallic symbols. Lockwood began training for the Italia Conti Academy of Theatre Arts at the age of twelve and made her stage debut in 1928 with the play A Midsummer Nights Dream. I like having familiar faces that recognize me. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as "Toots", who was also to become a successful actress. [43], Eventually her contract with Rank ended and she played Eliza Doolittle in George Bernard Shaw's Pygmalion at the Edinburgh Festival of 1951. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. In 1965, she co-starred with her daughter, Julia, in a popular television series, The Flying Swan, and surprised those who felt she had never been a very good actress by giving a superb comedy performance in the West End revival of Oscar Wildes An Ideal Husband. That year, she was created CBE, but her appearance at her investiture at Buckingham Palace accompanied by her three grandchildren was her last public appearance. This inspired the Yorkshire Television series Justice, which ran for three seasons (39 episodes) from 1971 to 1974, and featured her real-life partner, John Stone, as fictional boyfriend Dr Ian Moody. Simply put, if a person is born with a mole, it is then also considered a birthmark. He hopes one day "moles and other individual qualities" will be embraced. Showing Editorial results for margaret lockwood. Believing she will die, she gives up her lover Kit (Granger) to an actress, Judy (Roc), who is mounting an outdoor production of The Tempest on a rugged Cornwall coastal spot. She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. So much so that, in 1650, they created a bill to prevent "the vice of painting, wearing black patches, and immodest dresses of women.". [1] In June 1934 she played Myrtle in House on Fire at the Queen's Theatre, and on 22 August 1934 appeared as Margaret Hamilton in Gertrude Jenning's play Family Affairs when it premiered at the Ambassadors Theatre; Helene Ferber in Repayment at the Arts Theatre in January 1936; Trixie Drew in Henry Bernard's play Miss Smith at the Duke of York's Theatre in July 1936; and back at the Queen's in July 1937 as Ann Harlow in Ann's Lapse. The excitement of "walking on" in Noel Coward's mamouth spectacular, "Cavalcade", at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. Stage career Lockwood studied at the Royal Academy of Dramatic Art, England's leading drama school, and made her film debut in Lorna Doone (1935). Shakespearean expert and literary historian Stephen Greenblatt lectured students at the University of Science and Arts of Oklahoma on "Shakespearean Beauty Marks." A year later, she played another fairy, for 30 shillings a week, in "Babes in the Wood" at the Scala Theatre. Grow your brand authentically by sharing brand content with the internets creators. One of those famous faces was Marilyn Monroe. Was a committed teetotaller all her life and detested the taste of Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. [44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. If so, please share it with your friends and family to help spread the word. Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). Switch to the light mode that's kinder on your eyes at day time. Cindy Crawford, for example, is notorious for her iconic "blemish." Boards are the best place to save images and video clips. This is partially dictated by Hollywood's elite. These films have not worn particularly well, but. This was the inspiration for the three-season (39 episodes) Yorkshire Television series Justice, which aired from 1971 to 1974. Ceramic. In 1944, in A Place of Ones Own, she added one further attribute to her armoury: a beauty spot painted high on her left cheek. In the 1969 television production Justice is a Woman, she played barrister Julia Stanford. Stone appeared with her in her award winning 1970s television series, "Justice", in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. Let us know if you have suggestions to improve this article (requires login). Back at Gainsborough, producer Edward Black had planned to pair Lockwood and Redgrave much the same way William Powell and Myrna Loy had been teamed up in the "Thin Man" films in America, but the war intervened and the two were only to appear together in the Carol Reed-directed The Stars Look Down (1940). Named her after Gaio Giulio Cesare to commemorate her birth by Caesarian operation. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. 1946 10th most popular star in Australia, 1947 4th most popular star and 3rd most popular British star in Britain. This is partially dictated by Hollywood's elite. [2] Lockwood attended Sydenham High School for girls, and a ladies' school in Kensington, London.[1]. This film also included the final appearance of Edith Evans and one of the later appearances of Kenneth More. Her RADA-trained voice was posh, of course, but not supercilious.Her gentle beauty was heightened by different degrees of melancholy in Bank Holiday (1938) and The Lady Vanishes (1938), undimmed by her playing an indolent, pouting trollop in The Stars Look Down (1939), and coarsened . - makes her the epitome of the British noblewoman. After poisoning several husbands in Bedelia (1946), Lockwood became less wicked in Hungry Hill, Jassy and The White Unicorn, all opposite Dennis Price. In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. Her subsequent long-running West End hits include an all-star production of Oscar Wilde's An Ideal Husband (196566, in which she played the villainous Mrs Cheveley), W. Somerset Maugham's Lady Frederick (1970), Relative Values (Nol Coward revival, 1973) and the thrillers Signpost to Murder (1962) and Double Edge (1975). A vivacious brunette with a beauty spot on her left cheek, she starred in a wide variety of films, notably the wartime thriller Night Train to Munich (1940), the romantic comedy Quiet Wedding (1941), as the husband-stealing murderess in the period melodrama The Man in Grey (1943), Trents Last Case (1952), Cast a Dark Shadow (1955), and as Cinderellas stepmother in The Slipper and the Rose (1976). Actress: The Lady Vanishes. Margaret Lockwood as Lydia Garth Paul Dupuis as Paul de Vandiere Kathleen Byron as Verite Faimont Maxwell Reed as Joseph Rondolet Thora Hird as Rosa Raymond Lovell as Comte de Vandiere Maurice Denham as Doctor Simon Blake David Hutcheson as Max Ffoliott Cathleen Nesbitt as Mother Superior Peter Illing as Doctor Matthieu Jack McNaughton as Attendant Gaumont British were making a film version of the novel Doctor Syn, starring George Arliss and Anna Lee with director Roy William Neill and producer Edward Black. While vascular birthmarks like stork bites and strawberry marks are always something a person is born with, and therefore a real-deal birthmark, pigmented spots like moles are a bit more nuanced. A year later, she played another fairy, for 30 shillings a week, in Babes in the Wood at the Scala Theatre. The Getty Images design is a trademark of Getty Images. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queueing outside cinemas all over Britain. In the 1930s, she appeared in a variety of stage plays and made her name. She taught at her old drama school in the early 1990s and, after the death of her husband in 1994, retired to Spain. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. She also doesn't apply the spot in the same place. Speaking candidly with the magazine, Crawford did admit that she's still not sure if she'd have added a beauty mark if "designing [her] face from scratch." With the drama picture Bank Holiday, she created a reputation for herself. It's hard to even imagine Crawford without it. Lockwood called it "one of the films I have enjoyed most in all my career. In 1954 she also took the title role in a BBC production of Alice in Wonderland, which she had performed at Q theatre in Kew, south-west London, on her stage debut the previous Christmas. She was in the following years sequel, Heidi Grows Up, by which time she was training at the Arts Educational School in London. The pianist is Harriet Cohen, Learn how and when to remove this template message, "Why Stars Stop Being Stars: Margaret Lockwood", "Margaret Lockwood's fame brings problems", "Hollywood Invades The Festival (From London)", "Agatha Christie To Have Three Plays In London", "BBC Radio 4 - Desert Island Discs, Margaret Lockwood", "Crosby and Hope Try their Luck in Alaska", "Australia's Favorite Stars And Movies of the Year", Stage performances in University of Bristol Theatre Archive, Photos of Margaret Lockwood at Silver Sirens, https://en.wikipedia.org/w/index.php?title=Margaret_Lockwood&oldid=1141479007, People educated at the Arts Educational Schools, Commanders of the Order of the British Empire, Short description is different from Wikidata, Articles needing additional references from August 2022, All articles needing additional references, Articles with unsourced statements from February 2022, Articles with unsourced statements from October 2022, Creative Commons Attribution-ShareAlike License 3.0, 1943 7th most popular British star in Britain, 1944 6th most popular British star in Britain, 1945 3rd most popular British star in Britain (. Her final stage appearance, as Queen Alexandra in "Motherdear", ran for only six weeks at the Ambassadors' Theatre in 1980. Beauty marks may very wellalwaysbe beautiful, but the truth behind them is often less glamorous. Beautician, Beauty Salon, Barber, Hair Stylist. Likewise, if she were to wear one on the right side, she would be showing her support for the Whigs. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." Privacy Policy. It is not too much to expect that, in Margaret Lockwood, the British picture industry has a possibility of developing a star of hitherto un-anticipated possibilities. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. Lockwood was well established as a middle-tier name. Required fields are marked *. Access the best of Getty Images with our simple subscription plan. 3.7 Stars and 24 reviews of Lisa Family Salon "For being in So Cal for only 6 months, I have only gotten my hair cut once and that was back in Nor Cal when I went home to visit family. Enter your account data and we will send you a link to reset your password. For the remaining years of her life, she was a complete recluse at her home, in Kingston upon Thames, rejecting all invitations and offers of work. She was meant to appear in Hatter's Castle but fell pregnant and had to drop out. ", The Times (17/Jul/1990) - Obituary: Margaret Lockwood, http://the.hitchcock.zone/w/index.php?title=The_Times_(17/Jul/1990)_-_Obituary:_Margaret_Lockwood&oldid=145800. [34] then went off suspension when she made a comedy for Corfield and Huth, Look Before You Love (1948). As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. She was survived by her daughter, the actress Julia Lockwood. PETA would be none too pleased if women were still applying mouse fur to their faces in an effort to mimic a mole. It was one of the Gainsborough melodramas, a sequence of very popular films made during the 1940s. She began studying for the stage at an early age at the Italia Conti Academy of Theatre Arts, and made her debut in 1928, at the age of 12, at the Holborn Empire where she played a fairy in A Midsummer Night's Dream. The latter title, a gothic melodrama, had been a hit for Gainsborough Pictures . Enjoying our content? In the postwar years, Lockwoods popularity fell out of favor. "[46], The association began well with Trent's Last Case (1952) with Michael Wilding and Orson Welles which was popular. Size: 46 Pages, Transcript. Popular British leading lady of the late 1930s who became England's biggest female star of the WWII era. As stated earlier, Monroe's trademark mole may not have been real. "Since 1945 I had been sick of it there had been little or no improvement to me in the films I was being offered. A year later she married Rupert Leon, a man of whom her mother disapproved strongly, so much so that for six months Margaret Lockwood did not live with her husband and was afraid to tell her mother that the marriage had taken place. After becoming a dance pupil at the Italia Conti school, she made her stage debut at 15 as a fairy in A Midsummer Nights Dream at the Holborn Empire. Even more popular was her next movie, The Lady Vanishes, directed by Alfred Hitchcock, produced by Black and co-starring Michael Redgrave. She complained to the head of her studio, J. Arthur Rank, that she was sick of sinning, but paradoxically, as her roles grew nicer, her popularity declined. It was an uphill battle even for those who survived. "Because the term 'beauty marks' has an aesthetic connotation, we generally tend to call moles on the face beauty marks, while the same exact mole elsewhere on the body is just called a mole," Schultz clarified. She was known for her stunning looks, artistry and versatility. Due to the success of the film, Margaret spent some time in Hollywood but was given poor material and soon returned home. Please like & follow for more interesting content. October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. "[8] Gaumont increased her contract from three years to six.[10]. She was a warden in The White Unicorn (1947), a melodrama from the team of Harold Huth and John Corfield. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73.
